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Part tease, part tour de force, the art of trompe
l'oeil (literally, of deceiving the eye) is one of inspired play.
It mandates a duplication of reality that reaches beyond illusion
to delusion, a mastery of volume, shadow, texture and color so complete
that the line between fictive pictorial space and real space seems
to disappear.
Christian Thee is regarded as one of today's leading practitioners
of trompe l'oeil painting, his unique style being a direct and
purposeful extension of his work as a scenic designer for the
theater. For the artist, a trompe l'oeil painting provides an
opportunity for a dialogue with the viewer, first luring him into
the acceptance of the "reality" before him and then, as an ill-defined
sense of the deception dawns, impelling a closer look, and finally
an exclamation of surprise. The artist's virtuosity demonstrated,
the encounter often continues as symbolic, biographical and even
political allusions wait to be deciphered by the viewer.
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While attending the University of South Carolina, he was appointed
designer for the local Community Theater. Later, he relocated
to New York City and studied with Lester Polakov at Columbia University.
Mr. Polakov went on to open his own, very successful Forum Of
Stage Design in NYC, and Mr. Thee joined him on the teaching faculty.
During this time, Mr. Thee also worked as assistant to the legendary
stage designer, Jo Mielziner, and added numerous Broadway, Regional,
and Stock productions to his credentials.
Mr. Thee has had numerous one-man shows throughout the country,
and the main body of his extensive work can be found in private
and corporate collections. In 1981, he had the honor of being
commissioned to paint the portrait of Prince Andrew of England,
on the occasion of the prince's twenty-first birthday. Mr. Thee
subsequently attended the royal birthday party at Windsor Castle
and was presented to HRH Queen Elizabeth and Prince Philip.
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 | With the publication of his first book, Behind The Curtain,
Mr. Thee combines his love of trompe l'oeil and theater into an
illustrated book of extraordinary illusion and detail taking the
viewer backstage at a production of the opera Hansel and Gretel.
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